Tuesday, February 07, 2012

And the winners of Mostly Bookbrains for 2012 are...

We first held our Mostly Bookbrains Literary Quiz back in November 2009, repeated it in 2010 - and then last year, deciding that November is far too busy and insane a period to try to hold a big quiz - we shifted it to February. It seems to been a popular move, as a record 100 people braved the chilly weather and packed into The Manor School Hall to do battle and be crowned "Mostly Bookbrains 2012".
The literary quiz was incredibly well supported: 14 teams competed to pit their collective wits on questions from the most recent chair of the Booker judges, to the name of the author of 'The Borrowers'.

This year we had rounds asking for identification of book illustrators, a Dickens round (of course) and the one that everyone seemed to score  highest on:  'name the book title from the following blurb'. The standard was incredibly high, but winning the entire contest and holding the prestigious Mostly Bookbrains trophy for this year were the 'Quiller Couches'. Well done to them for consistently high scoring throughout the whole evening.
Second were the 'Secret Seven' (pleased to see so many school librarians on that team). The 'Wednesday Wonders' also took home prizes as winner of the interval 'marathon' round.
But the winners of the evening were also the two local charities - The Abingdon Alzheimer's Club and SeeSaw Oxfordshire, which provides support for bereaved children and their families. Both charities were brilliantly supported by everyone's efforts on the evening. With entrance tickets, refreshments, book swap table and raffle together, over £900 was raised.

A big thank you must go to Judy Harris and her team from Abingdon Alzheimers who kept the bar open all evening and provided tasty refreshments to keep everyone's brains fed on a busy Friday evening. Thanks to them for all their hard work.

Thanks to Manor School for providing the venue free of charge for the third year running. And, as always, a big thank you to Annabel Gaskell for setting such a wide range of book-related questions and being quiz master and general organiser of the whole evening.
We have had some great feedback - and wonderful to meet book bloggers Yvann and Simon who were taking part. We certainly hope to see many of you again to take up the challenge next year. And yes, we promise to make the questions even more difficult (only kidding).

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Friday, February 03, 2012

Cracking children’s books start the year

Sword of Light by Katherine Roberts £10.99
King Arthur is certainly enjoying something of a revival in children’s books at the moment and one I particularly enjoyed is this, which starts just after King Arthur is killed by his evil nephew Mordred.
Merlin goes to bring back Arthur’s only heir – a girl, Rhiannon – who was brought up in secret in enchanted Avalon – Merlin reveals her heritage and gives her the challenge of restoring Arthur’s soul to his body.
Feisty Rhiannon immediately wants to learn to fight, become a leader and a knight to avenge her father’s death – but at the same time as she must learn to become a princess.
It makes for an action-packed journey, enhanced by mist ponies, an enchanted harp-playing faerie and lots of quests, mystery and magic and Excalibur. Lots to enjoy with a great female lead and good use of the familiar Camelot setting and characters. A great adventure for 10+ that will probably give the Arthur story good appeal to girls.
The Court Painter's Apprentice by Richard Knight 5.99
Rich in historical detail, this is the story of 11-year-old Johann, taken on as an apprentice and moved away from his family to study with a master, Hugo. He has to cope with the jealousy of others in the workshop and hopes his abilities will start to speak for themselves. Only things start to get mysterious as this becomes a psychological thriller.
Johann realises that his paintings are more powerful than he realises when he notices that they have the power to change people. How he should use this power – or whether he should –  is part of the intrigue of this story.
Johann grows increasingly isolated and unhappy even having this unusual power in his hands. The tension builds well and eventually he has to use all his skills to save himself.
It’s an unusual story and really brings to life the world of an artist and his apprentice.
India Dark – Kirsty Murray £6.99
An intriguing backdrop of a real-life tour of young dancers from Australia sets up a story of the jealousies and rivalries that spiral out of control.
Setting sail is a troupe of (mostly) young women – from ten to seventeen, parted from their families, all heading for unknown tropical destinations with promise of fame and fortune in their heads and a chance to see exotic parts of the world in their heart.
But rivalries quickly break out – from star billing and best costumes, to who has the best room. The growing tensions are seen through the eyes of Poesy Swift – a sweet young thing on her first tour who has a lot to learn about the undercurrents that seethe beneath the greasepaint and public face of theatrical world.
The poisonous Tilly Sweetrick has been touring with the company for years and has set her sights on moving into a proper stage career once the tour is over. She starts scheming and to sow mistrust among the troupe.
As they realise their routines, costumes and equipment are out of date and no longer drawing the crowds, Tilly decides to act to bring the tour to a much quicker close, with devastating consequences.
The story is based on the real-life court case that followed a tour through the heart of India in 1910. As well as the searing setting of slow trains and sweaty hotels, there is plenty that modern readers will recognise in the feuds and rivalries that start to spiral between the girls.
It’s a great behind-the-scenes tale of how dreams can turn sour and would be a great read for teens who thinks that a life in the spotlight and the dangled promise of fame will be glamorous.
Twelve Minutes to     Christopher Edge             6.99
We are plunged straight into Sherlock Holmes territory with the mystery of why a new disease is spreading – a disease that forces people to write down their dreams.
Penny runs a magazine in turn of the century Britain and has penned terrifying short stories which have sent the magazine’s circulation soaring.
But Penny is a thirteen-year-old girl and she hires an actor to start meeting the public’s craving to meet the author.
Such is the fame of her pen name ‘Montgomery Flinch’ for his macabre stories, that when sinister happenings are troubling a doctor at the London hospital for the insane ‘Bedlam’ they call on the skills of Montgomery Flinch and Penny’s actor has to turn himself into a sleuth (with a lot of help from Penny).
It’s a terrific premise and Penny is a great, original creation.
The story cracks along with another youthful and female baddie, lots of spiders, lost Amazonian explorers, spider venom and a lust for riches at the heart of the story.
Penny, as a hugely successful writer, encounters other better-known literary giants. Arthur Conan Doyle, Rudyard Kipling, H Rider Haggard,HG Wells in the story, which has some great twists.
I would have liked to have learned a lot more about Penny and what made her such a successful business woman and wordsmith – capable of writing such gruesome stories at such a tender age – but this is the first of a series, so I am sure we have a lot more to learn about Penny in future episodes. Looking forward to them.

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Saturday, January 14, 2012

Nicki’s books of the year 2011

Moving into 2012 and all the lovely new books coming in daily that are now toppling my reading pile, it’s always a good moment to look back and think about those books I read in 2011 that I remember most fondly.
Tricky (almost impossible) to pick one book above all others that I enjoyed last year, because you always enjoy books for different reasons and comparing them seems very unfair. But I have done a selection of those which have particularly appealed.
A vision of Loveliness  by Louise Levene £7.99
All right, I admit, this is a total guilty pleasure (up there with Kate Atkinson) as an utterly indulgent read, with lines so wonderful I can go to them again and again.
It’s a dark comedy that will transport you to late 1950s London and a grim suburb where dinner was ‘a tinned steak and kidney pie, soggy King Edwards, and Surprise dried peas – the surprise being that anyone bought them’.
If, like me, you adore a wallow in a bit of extremely fine observation, then you will also find plenty to love about this story of a young suburban shopgirl determined to claw her way to a more glamorous life, using men along the way, with little more than a Pan-stick, 21-inch waist and a pair of false eyelashes 'fluffy nylon fringes to create all those killer glances' – (by the end Jane’s eyelashes almost have a life of their own).
Chance brings Jane into contact with Suzy – and Jane is certainly a girl who knows how to make the most of a chance. Soon she is in possession of a modelling assignment, a room in a shared Mayfair flat, a sapphire bracelet, a hermes alligator bag and a collection of dinner dates.
Clothes matter a lot to Jane (now Janey). 'Ballerina length might be all very well Down South but they wouldn't let you through the door without a long frock in Wilmslow, apparently'.
Through clothes she makes instant judgments about people. Clothes are detailed so much they are practically an additional character in the book ‘It was a dogtooth check sort of a day.’
She also acquires a very desirable boyfriend and a worldly-wisdom ‘Crepes suzette 'involved setting fire to pancakes on a trolley in rather a flashy way but they tasted quite nice'.
Enough to steer her through meeting his posh mother and a dinner party in Roehampton with his superior friends ‘she was giving them ‘her’ coq au vin: ‘hers’ in the sense that nobody else’s was made with half a bottle of sweet cider and burned to a crisp’. Janey successfully parries every attempted put down, while at the same time despising their lives (just keesh and Kingsley Amis from now on).
It's the sort of book that really gets other people annoyed when you are reading it as you can't help but keep sniggering.
In fact there is very little that is lovely about Janey’s journey. Even she starts to notice her dead eyes and wonders if there is more to life. But the only serious alternative is marriage to ‘wear a cheap black frock (home made even, People did), or attend poxy  ‘mmm-did-you-make-these-yourself?’n coffee mornings.. And Janey reflects that in her life men are expected to pick up the cheque, but at least she isn’t expected to do much in return. 
Her triumphant return to Norbury is one of Janey’s high points. In a Bentley and with a mink hat, is pure joy as her friends try to keep discussions to candlewick bedspreads and brushed nylon sheets (they Saved Work). They had to keep talking about themselves in case one of the unasked questions slipped out – Did it hurt? Did they respect you afterwards? Did you have to keep the lights on? How did she stop the eyelashes falling off?
My book group queried the chick litty cover and a quote from Joan Collins. But overlook that and just enjoy what’s between the covers.
It’s a story of a journey that’s pretty grubby underneath – tawdry finery and false hope, learning how to stetch a yawn into a smile. Enough to make you want to bring out the Liquid gumption. But definitely a step-up from Norbuy.

The Marriage Plot by Jeffrey Eugenides £20
Pulitzer-prize winner, Eugenides, has written very few books, but his latest is a timely reflection on the lives of three college students in the1980s – a decade that gave birth to the very modern angst – the quest for meaning in lives where choice is seemingly limitless, and commitment need only be fleeting.
Three college students trying to find their futures in 1980s America. Madeleine with her unfashionable interest in English Victorian literature, when everyone around her is starting to worship Nietzche.
Mitchell, seeking spiritual enlightenment in India. And golden boy Leonard and the damaging secret of his brilliance and already sewing the seeds of his downfall. Eugenides makes us care for them all. But which will ultimately find the satisfaction they seek?
We meet them when they are all enjoying their last years of freedom, while considering their futures. With loving detail, Eugenides creates the period, the uncertainties. Madeleine is delighted when the brilliant Leonard chooses her. Leonard’s ambition is to ‘become an adjective’ – (Faulknerian, Kafkaesque, Checkovian).
He is the one who looks like having a vocation and a scientific career – someone who will discover something and make something of himself. But when Leonard’s secret unfolds and we get a vision of how precarious is his brilliance, his leadership qualities, Madeleine is left with complex decisions.
If this had been a Victorian novel, she would have had to make the best of it, take her damaged husband and try to repair the tatters and secure what future for themselves she can.
But this is the eighties, when you can be madly in love with someone one minute, and the next, see the chance of a rewarding career of your own and a better prospect. Do you still need a mate? And one who will only bring you down at that?
An absorbing tale of how slippery it can be to find a role in life when love, money, success are becoming such throwaway commodities.

Hedge funds, pasties and Daniel Day-Lewis: Other People's Money by Justin Cartwright £12.99
A novel set in the world of ultra-rich bankers fighting to save their skins following the banking crisis sounds like the makings of a grim read peopled with unsympathetic characters.
But Justin Cartwright’s ‘Other People’s Money’ is a stunningly good read. A romp and a comedy, a thriller and a thoughtful piece for our times on the ramifications of the unseemly scrap for easy money.
In the balance are the future and fortunes of a long-standing family-run bank, creaking under the weight of its hedge fund losses. And, at the other end of the world (in Cornwall) are others seizing their last chances for glory.
Julian Trevelyan-Tubal is trying to cover up his bank’s losses. He has to find several hundred million in a hurry. Julian may be aware that he is already morally bankrupt. That it is only by wrestling back the Matisse from a loyal employee, selling the yacht under the nose of his dying father, and using his clients’ money in dubious ways one last time, he may just pull it off.
He is aware that he is becoming as single-minded and unlovable as his father.
And there are other good characters who stand to lose if everything fails. Artair MacCleod, playwright and actor-manager, now mounting productions of Thomas the Tank Engine ‘for the little, obese, pig-faced kiddies of Cornwall’, is the story’s touchstone – the ancient playwright who has never lost sight of the beauty and relevance of art.
And the ancient editor of the Cornish Globe and Mail, his Fleet Street days long behind him, like an old retriever, he sniffs on the air one last chase, even if his facts are faulty and his motivations flawed.
It’s a chase to the finish, will the lovable or the ludicrous get to the finish line first? And will anyone still have their morals intact?

Inheritance by Nicholas Shakespeare 7.99
Publishing pen-pusher, Andy Larkham is late for everything. In a life where nothing is going right he even embarrassingly stumbles even into the wrong funeral. But this leads to a reversal of fortune – and enormous and sudden wealth?
To unexpectedly come into another man’s money, someone like Andy Larkham might be expected simply to go with the flow, spend it on a hideous nouveau riche flat, exotic holidays, showering his friends with gifts that only make them feel in adequate.
But the prospect of money (a vast fortune) undeserved sits uneasily with our hero. In particular he worries why his mysterious benefactor who should have had everything, died alone. He is motivated to explore - is the money is tainted? Instead, he discovers not a person who exploited others, but an injustice that Larkham feels compelled to try to put right and a truth and a personal history that couldn’t be more different from what he expected.
A wise, funny and moving tale of an unexplained inheritance and its consequences. 

A Monster Calls by Patrick Ness 12.99
One of my ‘best reads’ of the year, but not one I find myself recommending very often. Not because it isn’t beautifully written. Not because it isn’t a great story. Not because it doesn’t have the makings of an absolute classic in your hands.
But because everyone I know who has read it has cried bucketloads.
It’s a wonderfully touching story of love and dealing with loss. Conor’s mother has been undergoing treatment for cancer, which has been going on so long 13-year-old Conor is used to putting himself to bed, making his own lunch, taking responsibility for getting all his homework done. But everyone at school knows he is the boy whose mother is going to die. And everyone treats him differently because of it.
Conor has another secret, but this time it’s one that not everyone knows. He has a terrifying monster who visits him regularly. But as Conor tells the monster that a monster that looks like a tree is really the least of his problems.
As his situation becomes increasingly desperate it is to the terrifying monster he turns for answers.
The craftsmanship of the storytelling draws you right up to the edge with Conor, desperately wanting someone to come in and take away his pain. His loneliness. His terror.
Written for children, Patrick Ness completed the story from an original idea from the brilliant writer Siobhan Dowd, who died of breast cancer at the age of 47 before completing her fifth novel.  It has deservedly been snowballing prizes and nominations for top children's book awards, including for the illustrations by Jim Kay –  a children's illustrator and was previously Assistant Curator for the Illustrations Collection at the Royal Botanic Gardens at Kew.
It’s such a beautiful and powerful and poignant story and is really, really worth a read. Just have tissues handy. Have several. This one should come with an emotional health warning.

Small Change for Stuart by Lissa Evans 10.99
There is nothing like a really quirky mystery when you are looking for some fun bedtime reading with your children.
The opening of a mysterious money box and a cache of old threepenny bits is the start of a magical adventure for Stuart Horten (10, but looks younger).
Stuart has just moved to a new town with his crossword-puzzle-compiler father, and busy working mother and longs for his old friends. What he has is next door’s nosy triplet girls (April, May and June – tall with glittery hairclips and a love of investigative journalism), who quiz him about everything and dog his every step.
What Stuart doesn’t know is that he is on the brink of solving a mystery that has been covered up for years. He is soon on the trail of a mysterious ancestor and an even stranger mythical magic workshop and must work through a series of puzzles and clues – to find the truth, and of course, discover the workshop before the baddie gets there first.
Lovely illustrations – great cover. The compact gift format of this book is part of its delight. I could not have been more pleased when this was on the Costa shortlist of the children’s book of the year as I thought something that such good clean, nostalgic fun would surely get overlooked for all the big prizes.
Old fashioned storytelling at its very best.

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Wednesday, January 11, 2012

Review: To A Mountain In Tibet

John Lewis refers to it as 'edited choice': a curated sub-selection of products, presented to customers in a way that delights. There are tens of thousands of books published every month, a figure rising rapidly in the digital arena, and the ability to offer expertise and appropriate recommendations, to attenuate the more 'enthusiastic' blurbs and to momentarily tune out the clamoring of desperate online marketing is becoming ever more critical.

It seems that the independent booksellers who are surviving and even thriving do this better than anyone else - and it's certainly what we aspire to (however, note to self: "must do better in 2012"). Strip out the events, blog posts and tweets, and underneath it all is a passion for "bringing you only the best" (as booksellers Magrudy's would say).

This sets a very high bar. You get close to the nerve-shredding world of the restaurateur, where one duffer meal means you'll never see a customer again. But possibly the worst feeling is that you have 'missed' a book. Suddenly everyone is talking about it, and you didn't see it coming.

Because it's impossible to read everything that is published, you get to rely on your bookselling 'intelligence network'.  We have a superb one, which sits on the shoulders of publishers, reps, reviewers, other booksellers - and ultimately customers. One of the many and best privileges of running a bookshop is the sheer number of people you get to talk to about books and authors. Over time, you begin to develop an intuitive feel of 'the best of the best' - and author Colin Thubron definitely sits in that category.

'To A Mountain In Tibet' came out last year in hardback, and I meant to get around to reading it (along with the hundred or so other books that fit into that category). The intelligence network was giving out plenty of strong signals (not least bookseller Patrick Neale who flagged it as one of his books of the year). I finally read it just before Christmas, and it's a book that has got under my skin in a totally unexpected way.

In one way, this book is easy to describe: one of the great travel writers makes the pilgrimage to Mount Kailas, possibly the most sacred mountains on Earth. But the book is such an intensely personal account of the journey, that at times you feel Colin wrote it with no readership in mind. The elements that he weaves together - the punishing and at times brutal nature of the pilgrimage, the despair and poverty of the people he meets, the legacy of Chinese rule, are grimly painted on with broad brush strokes, and the central story never wavers too far from the author's own experience. This works brilliantly, and places you right there on the scree paths, at times gasping for air as the path climbs ever higher.

Mount Kailas is sacred to one-fifth of the world's population, and is believed to be the residence of Lord Shiva. It has never been climbed. Thousands of people make the pilgrimage every year, circumambulating the mountain clockwise or anti-clockwise depending on thousand year-old traditions of the four religions.

The pilgrimage starts with plenty of descriptions of Nepal, anxiety of crossing into Tibet, the poverty and reality of the people that Colin meets and spends time with. His writing style - familiar to his other books - is one of particular empathy with the people that he meets, and divining the family situations of the houses he stays in allows Colin to give a snapshot of the day-to-day reality of life in both countries.

As the book progresses however, the writing – like the air through which he ascends – becomes more rarified, and themes become much more finely honed. At one point he draws attention to the physical price he’s paying as he ascends into thinner air (Thubron is over 70). Old injuries are remembered, nagging at him like old adveriseries, but we slowly become aware of a more profound incident from his younger days. This personal tragedy - of which we learn only the merest of details - is resolved, in a manner of speaking, a few pages from the end of the book, in just a handful of sentences. It’s possibly one of the most moving things I’ve ever read, and with great skill and absolute respect he manages to weave this into the mythology and significance of where he is and the journey he is taking.

It's tempting to believe Thubron had a profound spiritual experience at the height of the ‘prama’, but if he did, it was a very British one, in keeping with his character, but nonetheless as touching and moving as if he had been prostrating himself at intervals as other pilgrims do.

Colin keeps the writing at a dizzying quality throughout, and the descriptions of landscape, religions, history and individuals demands effort, but conjures up lucidly this moonscape at 18,000ft. The area around Mount Kailas does indeed feel like you are on another planet. Peppered throughout is matter-of-fact descriptions of the consequences of Chinese actions over the 50 years of occupation. The destruction of holy sites during the Cultural Revolution dwarfs anything the Taliban did in Afghanistan.

(Incidentally, this book does not make you want to visit Tibet, but I did guiltily log on to Google Earth and overfly the mountain (something I heartily recommend doing thanks to the improvements in recent technology). As you zoom in on the grey and brown blasted landscapes you do feel as as if you have walked along the sides of the mountains.)

The book ends abruptly. He turns for home with the other pilgrims, changed. As will you. It's a book that you will read in an afternoon, but if you're receptive, it will stay with you for a long, long time.

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('To A Mountain In Tibet' is published by Vintage, out now in paperback, £8.99. To receive a copy of the paperback, together with a copy of Mark's review, please click on the link below)


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Thursday, December 15, 2011

It's beginning to look a lot like Hugless...

When you come into Mostly Books, there are a few 'signature' books, ranges and authors that people have got to know us for over the years. Our Persephone Books have been a feature of the shop since we opened, and favourite authors of the staff tend to do well on the shelves too: Reginald Hill, Neal Stephenson, Brandon Sanderson and a few others we have more than a soft spot for.

Amongst shrines to authors in the children's room, you'll find Catherine Rayner, Julia Donaldson - and local children's author David Melling.

We've known David for many years, and recent events with him have seen a drawing masterclass at the local library, and also a splendid make-your-own-Douglas event that took place in the courtyard garden. But what has been really exciting is to see how 'Douglas' has really taken off and quickly won a place as a modern classic, shortlisted for plenty of awards, even spawning a hugely popular and pioneering smartphone app (itself up for awards).

Douglas has featured rather largely in the shop window for the last few months:


Hodder have done a great job turning Hugless into a very cute plush together with the book. Just look at his little nose and scarf:
David recently came into the shop to kindly sign copies of his books for us, and we took the opportunity to ask him a few questions about his writing (and drawing) life...

Five questions with . . . David Melling's writing life

1. What are you working on at the moment?

'We love you Douglas' the fourth Douglas book, then I’m taking a break from Douglas. I’m then working on a new character, not entirely sure of his name, but probably called ‘Warren’. It’s going to bit more slapstick humour than Douglas, a bit of a change of pace. The feedback from my publisher in terms of what they like about my work is my characters: they like the pathos, humour and the strength of character – and Warren will focus on all of these elements.

2. What is the best writing tip you've ever been given?

I think my knee-jerk response to that question is: do a little each day. It’s very important. Kids often ask me ‘how do you do that?’ when I draw, and it all comes down to a little each day. It’s like learning to play a musical instrument or a sport. You don’t pick up your tennis racquet one day and be volleying, hitting winning shots the next. The more you practice the better you get, and that’s the same with drawing and writing.

3. What's the best and worst thing about being a children's writer?

The best thing is to be able to sit down and write and draw all day long. I’m very lucky, and there is nothing better. The worst aspect is towards the end of a project however, you do long and unusual hours, you neglect your family. That can be tough.

4. Do you have a writer's survival kit?

Well, I did hear that Andrew Motion finds Lemsip gets him all creative, and Agatha Christie apparently used to bathe in a hot bath with apples, and the aroma inspired her! If I’m stuck, I’ll go for a walk, or drive, in fact – just get moving. I find train journeys are very useful in that regard. I do a lot of work in coffee shops, just doodling when ideas come. I always have a sketchbook on me, and so can always write stuff down.

The cartoonist James Thurber once said the hardest part of his job was convincing his wife that when he was standing and staring out the window he was actually hard at work. And that’s true. When I’m sitting and staring out of the window, having a meditative moment, that’s when ideas come. It links back to the joy of the job, at any point – whatever I’m doing – I can pull back from reality a little, and dip into the writing well.

5. What was your big breakthrough?

I had two big breakthroughs. The first was in my 20s, when I was introduced to an illustrator who lived a couple of streets away. I was very lucky, and for a year I apprenticed to him, and was able to build up a portfolio. If you have the opportunity to apprentice to someone great, it’s very fortunate, and a wonderful opportunity - but to find someone nearby in the same town was incredibly lucky.

Breakthrough number two was whilst working at an animation studio. I had been building my portfolio up, and realised that my big passion was children’s books. At the time I made this decision and starting to look around, I was introduced to someone who had just set up on her own as an agent, and was looking for clients. It was perfect timing, and although it took almost two years to get published, having guidance within the industry was incredibly useful. I’m happy to say that – nearly twenty years later – she is still my agent!

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For more insights into David's writing life, visit his rather splendid website here. And if you are a young fan of Douglas, you can vote for him in the Red House Children's Book Awards here. And of course, we have signed copies of Douglas (including rarely signed copies with the plush) in the shop. Just email books@mostly-books.co.uk if we can send you a last minute, rather special Christmas present...

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Tuesday, December 13, 2011

Fake penguins

At Mostly Books we pride ourselves on our stock selection - and more importantly, that what we sell is up to our high quality threshold (particularly at this time of the year). What we would hate to happen is to recommend a book to a customer that turned out to be not quite what they were expecting.

So all the fuss about the BBC's Frozen Planet and possible faking of scenes is a bit of a concern. We have copies of Frozen Planet in the shop, and so this morning I went and inspected a copy to see if I could make out any hint that photographs in this gorgeously produced book have in any way been faked.



However, after taking it off the shelf and inspecting it more closely, I found this picture on pages 57-58). On the face of it - a touching encounter between the baby polar bears, their Mum - and a penguin. But look more closely:


Real or fake? The BBC need to be asked some very searching questions...you be the judge...

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Wednesday, December 07, 2011

Turning Real-Life Stories into Books - with added imagination from Frank Cottrell Boyce

What if you had a car that could fly? What would you do if you found a bag full of money?

The imaginations of more than 200 schoolchildren from more than five Abingdon schools were given a jump start on Wednesday Nov 30 as they listened to multi award-winning children’s author Frank Cottrell Boyce talk about the inspiration behind his books.

Frank read from his latest novel ‘Chitty Chitty Bang Bang Flies Again’ and told how the roots of the story grew from real life.

Ian Fleming is well known as being the creator of James Bond, but fewer people know that he was the creator of the original children’s story ‘Chitty Chitty Bang Bang’ . Even fewer would have known that the story was inspired by a real car.

Ian Fleming saw Chitty Chitty Bang Bang race when he was a young boy – and that memory came back to him when - convalescing from a heart attack - it formed the inspiration behind his only children’s book.

Frank Cottrell Boyce told the amazing story of a rich count who came into his money very young and spent his money on things most children couldn’t even dream of. Things like a full-size train track in his grounds to race trains, and putting a zeppelin engine in a car - the original Chitty - to race it at Brooklands (it could go over 100mph).

Frank Cottrell Boyce’s first books are all based on what children would do when placed in extraordinary situations. ‘Millions’ is about what a couple of boys decide to do when they find a huge amount of money. And ‘Cosmic’ is about a 12-year-old boy who looks much older and gets mistaken for an adult.

These stories have been loved by children, turned into films, and means Frank Cottrell Boyce has been on every major award for children’s writing.

In Frank Cottrell Boyce’s ‘Chitty Chitty Bang Bang Flies Again’ – the original Chitty’s engine is reassembled (without the family’s knowledge) inside a camper van. So when they set off, their trip around the world is like no other.

Frank also shared loads of stories and advice about how simple things can become stories if you add a lot of imagination and a little magic – and talked about all the things that inspired him to become a children’s writer.

He knew he wanted to be a writer from when he was at school and a teacher read out something he’d written to make a friend laugh – and he made the whole class laugh.

‘I learned that if you choose words in the right order people will laugh even if you’re not there in person. Someone could be laughing at the same thing even all the way in China. Writing is like having a superpower.’

His incredible talk ended with so many hands bristling with energetic questions for the author he could have been there all day.
Note to other booksellers: If you’re going to organise a big author event involving lots of schools – don’t organise it on a day when there is a big strike on and lots of schools are going to be closed.

But do organise it with author Frank Cottrell Boyce. Because even if the whole event has hung in the balance – it can still turn out to be a tremendous day that makes several sleepless nights truly worthwhile.

A huge thank you for all the schools and teachers who turned out in force to keep the event going.

And a big thank you to everyone who came to the shop to meet Frank at Mostly Books afterwards. Particularly to Jo and Rosie Caulkin who travelled from Birmingham to meet him.

Five questions with . . . Frank Cottrell Boyce's writing life
1. What are you working on at the moment

'Chitty Chitty Bang Bang 2' (looks nervously at his editor sitting across the table from us). No, of course, that's finished. Chitty Chitty Bang Bang 3!

2. What is the best writing tip you've ever been given?

Read, read, read.

3. What's the best and worst thing about being a children's writer?

The best thing is the contact with children. Watching them meeting an author, getting questions. It's very real, very visceral. The worst thing is that, you do so many events that you end up having no time to write. You can't do events half-heartedly, every event I do I put everything into, I don't want to let anyone down.

4. Do you have a writer's survival kit?

No - nothing. My house is so busy, and I am so busy, I write anywhere, at any opportunity. Edith Nesbit (and also PG Wodehouse) used to write at parties. In fact, that's a great tip for writers: learn to write at parties!

5. What was your biggest breakthrough?

I had written the script for ‘Millions’, and Danny Boyle told me "I'll do the film, but you must write the book". And that was the nudge I needed. I think writers need to have other people give them a shove to get a book out there.

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