Showing posts with label courtyard garden. Show all posts
Showing posts with label courtyard garden. Show all posts

An Evening of Summer Reading with Eve Chase and Abi Oliver

On Thursday 29th June (on a hopefully perfect summer evening) we will be hosting two wonderful authors, Eve Chase and Abi Oliver. They have both written books set in the local area with a historical slant.

Eve Chase’s ‘The Vanishing of Audrey Wilde’ has dual narratives, one set in the present day and one during the heatwave of '59. It’s a story of how four teenage girls, on holiday in Oxfordshire, are slowly drawn into the disappearance of their Uncle and Aunt’s daughter, Audrey, five years before.

‘A New Map of Love’ by Abi Oliver is about an antiques dealer who, with his loyal dog, Monty, by his side, spends a summer getting far more embroiled with village life than he ever intended.


 So, join us to hear about the delights and difficulties of setting books in real-life settings in the past and discover two different – but equally satisfying – summer reads. The event starts at 7pm on June 29, with Pimms served from 6.30pm. Tickets are £5, with £2 redeemable against a purchase on the night. Email us to reserve a ticket – or call into the shop for more details.

Come and Meet Hugless Douglas!

On Tuesday 2 August, we're inviting you to come along and meet the big bear with the big heart - Hugless Douglas!

The last time Douglas visited Mostly Books we had a fantastic time, with scorching weather and hot hugs in the garden.

For anyone who came along and had fun with The Gruffalo a few weeks ago, Douglas isn't scary at all, and there will definitely be hugs all round...

This time round, Douglas gets involved with some baking, and as usual, things don't got entirely to plan.

In 'Hugless Douglas and the Great Cake Bake' the sheep are baking cakes and Douglas can't wait to try them. However, he's sure that food without honey just isn't yummy. Can he ever be tempted to try something new?

There will be cupcake-making activities from the beginning of August - and on the day itself, Hugless will be making a special guest appearance. There will also be a book signing from award-winning author and illustrator (and creator of Hugless Douglas) David Melling.

We'd really love you to come along and transform our window with some brightly decorated cupcakes. There will be activities all week, and special prizes to win on the day itself. And there may even be the odd yummy treat to try if we're really lucky...

There is no need to book - but if you'd like more details of the event, including more details on timings closer to the day, please email us.


David Melling is an author who is an incredible talent of whom Abingdon can be particularly proud. Over ten years, David has taught children how to draw Hugless Douglas, told us about his writing life, produced masterpieces live over the Internet sat as a 'live window display' while he has worked and hosted a goblins party in Abingdon Library.

We'd love to see you on August 2 in our courtyard garden - and celebrate one of most endearing picture book characters!

Come and meet the Gruffalo! Help celebrate Independent Bookshop Week 2016!

To help us celebrate Independent Bookshop Week 2016 - and as part of our tenth birthday celebration - the Gruffalo is coming! And we'd love you to come too!



The Gruffalo last visited Mostly Books in 2014 and because he had such a lot of fun, he's coming back!


We will be running two special Gruffalo Storytimes at 10am and 3.30pm on Wednesday, June 22.


The storytimes are free, but space is limited so you must book!



We will be reading the Gruffalo, and you may even be able to have your picture taken with him!


Pop into the shop - or email us to reserve a place. And help us celebrate!

Read and Draw with Korky Paul!

On Saturday June 4 at 2pm, illustrator Korky Paul returns to Mostly Books as part of our tenth birthday celebrations.

Energetic, interactive and enormous fun, Korky will be welcoming you to the wonderful world of Winnie the Witch in a special interactive workshop for children 'Read and Draw with Korky Paul!'.

In this fast-paced, fun-filled reading aloud workshop Korky demonstrates how to draw for children that is colourful, witty, energetic, and animated.


Korky - the World's Greatest Portrait Artist -
in the Mostly Books Courtyard Garden!
Korky manages to bring home the point that writing, reading, and drawing are things that are inherently meant to be fun. Korky's spontaneity, energy and unaffected manner of drawing shows young artists that every smudge, every line can be transformed into something weird and wonderful.

Magical things always happen when Korky puts his pens and paints to paper! We should know because Korky has weaved his magic in the Mostly Books garden on several occasions. It’s a brilliant and inspiring experience for children - don't miss it!

Known only to himself as ’The World’s Greatest Portrait Artist and Dinosaur Drawer’ Korky MAY just have time to draw ‘Perfect Dinosaur Portraits’ for you to take home. Winnie The Witch will be there, and every child will be issued a ‘Magic Number’ ticket, and have a chance of being drawn from a hat for a special drawing...

We have limited space for this event (in the courtyard garden, weather permitting) so please email to reserve your place.

This event will be suitable for children aged 5-11 (please let us know the age of your child when you book) and tickets are £6 (with £2 off any Korky Paul purchase on the day). Accompanying adults will need a ticket too as space is limited.

The event takes place on Saturday, June 4 at 2pm. Korky will then be signing in the shop at 3pm.

We look forward to seeing you!

The Gruffalo visits Mostly Books

To celebrate our being awarded "Julia Donaldson's Children's Independent Bookshop of the Month" for August, we received a visit from The Gruffalo. When you run an independent bookshop, it doesn't get much better than this...
Once we knew The Gruffalo was coming, we thought we'd best invite some people to celebrate with us. So over two sessions in the afternoon, approximately 50 children joined us in the courtyard garden.

There was a special reading of 'The Gruffalo'...take a look at what happened when someone made his entrance at a certain point in the story...


(Notice we did our best to reduce the overall scariness of the situation, but a few of the children were, quite frankly, terrified)

There was quite a lot of posing for photographs...

And Imogen had baked some rather splendid Gruffalo cake, which also helped relax everyone into the mood of the thing...

After the cake was eaten, and goodie bags passed around, The Gruffalo had a VIP tour of Mostly Books:


Huge thanks to everyone who came and made the day so memorable - and apologies to those that wanted to come, but we were too full. There is still time to enter 'Mouse's Gruffalo Pie' competition - and The Gruffalo's Child seems to have taken up residence at the back of the shop...


After I Launched You: Alison Mercer and the launch of 'After I Left You' at Mostly Books

Second chances - and facing up to the past so you live in the present - are two of the big themes in Alison Mercer's second novel 'After I Left You'.

Alison was at Mostly Books on Thursday to celebrate its launch. Friends, family, fans and colleagues listened as she explained the genesis of the book, how it been in her mind as an idea for years.

But the story of Anna and how she comes to terms with bruising realities in her past, was the one her editor most wanted to see after a meeting to discuss publication of Alison's first novel 'Stop the Clock', in what Alison described as being 'like the most scary job interview ever'.

Alison thanked her husband, Ian, for his support in giving her time to write, to her supportive team at Transworld and also the support of her work colleagues and other writing friends. There were at least two extremely well-known authors in the audience, as well as editors, agents, bloggers - including the Abingdon Blogger.

She read from the opening scene, one in which Anna bumps into an old flame. Her attire, the bridesmaid dress in her hands, makes this excruciating, a bad-dream sequence that she would never have wanted to happen.

In a similar way to 'Stop the Clock' the action catches up with university friends after time has passed and analyses how their lives have fared - who made good on early promise, whose marriages are on the rocks, who is no longer even around. The Oxford setting ensures plenty of local appeal, but the themes - and the writing - ensure that appeal is universal. But the style has a definite darker side - and a creeping sense of unease builds imperceptibly as past history slowly bubbles to the surface.
'After I Left You' features a compelling mix of characters, back stories seamlessly woven in and will appeal to anyone who ever attended a reunion and couldn't help but measure up against all their old protagonists.

For Anna, life started off well, heading to Oxford from an ordinary background and falling in with a glittering group of privileged friends. Bumping into old-flame, Victor, seventeen years after she last saw him is painful enough. But Anna must brave seeing all her old group again as she tries to lay to rest the time she has not ever really moved on from - the time when she realised her friends were not all they had seemed...

Once again the weather played ball allowing us to hold another magical evening in the garden. Following the launch of her debut in 2012, we were honoured to host the launch of 'After I Left You', to welcome so many great supporters of Alison to the shop - and a huge thank you to Transworld for supporting their author and the event so strongly.

(Find out much more about Alison and her writing here)

Alison is - as the publishing world demands - already writing her next book. So we are definitely looking forward to another launch event. As Dorothy Parker said "I hate writing, but I love having written". And we love having launched a new book!

How does it feel? Bethan Roberts discusses 'Mother Island'

The realities of motherhood and the sometimes difficult relationship of employing a nanny, together with fond memories of family holidays on Anglesey were the inspirations behind Bethan Roberts’ new book ‘Mother Island’, which she was at Mostly Books to talk about on Thursday.


Her first novel set in the present day, Mother Island is the story of two women – and one child. New mother, the assured and aloof Nula, thinks the perfect person to take care of her new-born is her cousin, Maggie, an Oxford drop-out, and a bundle of emotion just waiting for someone to love, who has drifted into childcare, and who thinks she knows what is best for Nula’s child.

The pair clash over parenting styles alongside the evolving backstory of how they first met in one summer full of family feuds and raging disappointments. Early on we know Maggie plans to take the child and what follows is a shifting tide of emotion that allows the reader to see both sides of this tug-of-love story as two woman's history bubbles long-buried resentments to the surface.


The distinctive cover gives an idea of the pattern of the story – the switching between the two voices – and a constant shift in where the reader’s sympathies lie between the two women.

Bethan - born and raised in Abingdon - started her published life at independent Serpent's Tail, a small but hugely respected publisher of edgy fiction and book in translation (who also have an enviable reputation for spotting new, young authors). After book 'The Pools' and 'A Good Plain Cook', she moved to Chatto & Windus. She talked a little about the difference in approach from two publishers that she has enjoyed working with.

Describing how she aims to improve with each novel, she particularly values the editing process at Chatto that goes into her novels, describing how the manuscript goes back and forth over several months as changes are made. 

‘I was really surprised when I saw the jacket as it looks like a thriller, although it isn't. I like writing about domestic situations and not in a fluffy way, but I am conscious of having a narrative that pulls people through. The reader deserves a cracking story.’

Bethan’s previous novel ‘My Policeman’ is a well-constructed tug-of-love story of a different kind – the fight between the wife and the lover of a gay man set in 1950s Brighton, which has earned her many plaudits, particularly for her skill in getting under the skin of what it was like to be gay at that time.

The idea of writing about early motherhood, she said, came from her own experiences and in looking to literature when she was pregnant to find out what it might be like to experience motherhood – and finding there were very few novels that had much to say on the subject (she has recently wrote an article on the subject for The Guardian).

‘Mother Island’ is Bethan's fourth novel, and you can read a few reviews here and our own review of it here.

Despite a weather scare (!) we were able to sit out on a lovely Summer evening in the garden. Thanks to Bethan for coming up from Brighton (you never really leave Abingdon of course) and thanks to everyone who came along to listen on what was another delightful event - one that kicked off our 'Vintage Summer' celebration througout August. If you were unable to make it along, we have signed copies of 'Mother Island' now in the shop.

(Brilliant blogger Gaskella has done a rather fabulous write-up of the event here - and she'll be reviewing 'Mother Island' as part of the next edition of Shiny New Books...)

Louise Millar and Kate Clanchy help to discuss 'What Makes a Good Bookgroup Book?'

A fine sultry, summer evening – the perfect occasion to sit in the courtyard garden of Mostly Books to discuss ‘What Makes a Good Bookgroup Book?’ And even better if we entice a couple of authors to discuss the topic with us...


As our opening event to mark Independent Booksellers Week (a week in which everything wonderful about independent booksellers is celebrated), it was a great opportunity to gather and discuss what is so great about being in a bookgroup – and why we get more fun and pleasure out of debating some books rather than simply enjoying them privately.


Our first guest speaker, Louise Millar said she had been invited to join in many bookgroup discussions about her psychological thrillers and said the thing she noticed people particularly liked to discuss was the issues that are raised in her books (her books are so popular with reading groups that they feature reading notes and points of discussion in the back, something not universally popular with the audience).

Louise explained that her books have domestic settings where the characters are often faced with very modern dilemmas – who to trust to pick up your children from school, what lies you would tell to cover any cracks in order to successfully adopt a child? – the sort of issues people can relate to - or at least imagine themselves in - and find it stimulating to debate.

On the evening, Louise read from her latest novel 'The Hidden Girl', another taut tale that ratchets up the tension and suspense, involving a woman who 'moves to the country' in an attempt to improve her life ahead of an impending adoption, but the rural idyll turns into anything but.

Thrillers are really popular choices for book groups, perhaps as crime fiction is predominantly read by women and women tend to outweigh men in book groups. In a discussion actively joined in by the audience - many of whom were bookgroup members themselves - the consensus was that the act of meeting up and discussing a book - the social aspect - was more attractive to women, which might explain the dominance of women at groups. (Mark did make the point, however, that there is at least one all-male bookgroup that meets regularly in Abingdon).

Publishers know that bookgroups are hugely popular and that meeting to discuss books is a great way to extend what you read and also to think in different ways about a book you may not have got very much out of if you’d read it alone.

Kate Clanchy, our other guest speaker, an acclaimed and award-winning poet who has written for radio, a memoir and a novel said that her book ‘Antigona and Me’ had been marketed as a bookgroup book because it is full of issues and opinions, even though it is a memoir.

On the evening she read from her first novel, the Costa shortlisted ‘Meeting the English’, which is on many bookgroup reading lists as a great summer read.

We agreed that it might be difficult to put your finger on what exactly makes a good bookgroup book, but definitely the book that is not a good book group book is one where everyone agrees, opinion is not divided and there is not much to discuss. 

Often bookgroups are groups of friends and they can all have the same viewpoint. We felt that bookgroups work best if people come ready to discuss rather than expecting to have loved everything they read. In addition, an atmosphere or tolerance and respect in discussions is far better than just an 'I loved it / I hated it' approach.

Publishers increasingly view the ‘bookgroup’ book as a genre in itself, with books published that are targeted at being read and discussed in a group, reading group notes provided to help readers to scratch beneath the surface of whether a book is simply an enjoyable personal read or not.

There was general agreement that it is not always the books that you think will be good for discussing that stimulate the best debate, which sometimes can make it difficult to choose what to read. The event rather took on the form of a good bookgroup discussion: most of the audience contributed, and it was interesting to get a poll on the types of genre that made a good bookgroup memoir: most did not read exclusively fiction for book group choices, mixing in travel writing and biography/memoir as popular alternatives to mix things up a bit.

But the final vote of the evening was: is there such a thing as a 'bookgroup book'? It wasn't unanimous, but the majority felt 'no'. In the end a strong bookgroup with plenty of mutual respect and a good standard of discussion can deliver the best discussions when allied to a well-written novel with plenty of themes.



Many thanks to Louise Millar and Kate Clanchy for inspiring such an interesting debate, and thanks to all the bookgroups who not only came along, but who support Mostly Books by choosing and buying their books from us (and feeding back which books have lead to a great discussion!). Huge thanks to Macmillan for making the whole thing happen.

If Independent Booksellers Week is a time to celebrate bookshops, for us it is also a great time to say thank you to our customers for supporting high street bookselling and being part of the bookish community here in Abingdon.

Poetry in the Garden: George Chopping

 

George Chopping is a poet who works in a pub and lives on a boat with his wife and cat.
He makes wry observations on life through poetry – as well as making us laugh. He is best-known as a performance poet and appears and hosts poetry events in Oxford.


We are delighted that George will be performing his poetry in the Mostly Books courtyard garden (weather permitting) on Wednesday, August 7 at 7.30pm.


He published his debut collection, ‘Smoking With Crohn's’ in August of last year.

Here are a few reviews of his work:

"Had the audience in hysterics" THE SUNDAY TIMES

"A perfectly balanced mixture of sweet- natured observation and steel melting bile" NIGHTSHIFT

"Droll and witty poetry delivered in amusingly deadpan style" THE OXFORD TIMES

"One of Unbound's raw talents, and as quickly becomes obvious, a true performance poet" MANCHESTER LITERATURE FESTIVAL BLOG

"The cream of Devon poets" JOHN HEGLEY

George was a huge hit at the 5x15 event earlier this year at Radley, and for anyone who enjoyed our event with John Hegley in 2011 - you will not be disappointed!


Tickets are £3, redeemable against a purchase of George's book on the night. Email us to reserve your place!

All These Worlds Are Yours: Ben Jeapes and Jonathan Oliver launch 'Phoenicia's Worlds'

One moment it was the perfect summer’s evening, sat in the courtyard of Mostly Books and enjoying a glass of wine. The next moment we were transported to another time, aboard a spacecraft re-entering the atmosphere of an unknown world, our short-term memory shot, struggling to understand what was going on...
In fact, we were celebrating the publication of ‘Phoenicia's Worlds’, the latest novel by Abingdon sci-fi writer, Ben Jeapes. Reading an extract from the book, he was then joined in discussion by his editor at publisher Solaris, Jonathan Oliver. Together they discussed Ben's writing, his influences - and over a glass of wine, discussed the question: ‘What makes good science fiction?’
‘Phoenicia's Worlds’ is about humankind's first attempt to colonise another world – an Earth-type planet caught in the grip of an Ice Age. Tragedy strikes the colony, and to save it from starvation and collapse Alex Mateo must reluctantly entrust himself to the only starship in existence to make the long, slower-than-light journey back to Earth.

Given the interest in recent discoveries of Earth-like planets that may be orbiting nearby stars, Ben's setting and theme seems to be extremely timely. Ben explained that the seeds of the book were actually sown many years before, with themes closer to home influenced by world events and Ben's sometimes pessimistic view of human nature... 

Ben has published science fiction for both children and adults, and has recently had a collection of his short stories published. He explained that one of the real pleasures of writing science fiction for him is the thinking up and describing of appropriate technology for the stories.


He explained that the idea for his first book - His Majesty's Starship - was driven in part by a desire to correct some of the problems in the way spaceflight was portrayed in the Star Trek universe. Being thrown off seats in a space battle? How about seat belts. And when one considers that a modern jetliner can take off from Heathrow and land in New York with little of no direct involvement from the pilot - the idea of sitting at consoles actively controlling the ship might be considered a little, well, antiquated.


Jonathan quizzed Ben as to his SF influences, and Ben cited Arthur C Clarke and Asimov, to Alastair Reynolds, Iain Banks and Stephen Baxter.

His book published for children ‘New World Order’ is a time travelling story that returns to the English Civil War, but for ‘Phoenicia's Worlds’ he has gone forward in time, and it is full of well-imagined detail of what it might be like in the future to actually travel on a spaceship between star systems.


Trying to get to the heart of what makes good science fiction, Jonathan said he liked Ben’s writing because it celebrates the strong traditions of the genre, while also looking to the future – and also that it has good characterisation and characters he cared about. Good SF was, he said, primarily good writing. A big idea is not enough.

Jon also explained a little about the process of publication at Solaris and Abaddon Books. Speaking about the differences between large and small publishers, he said: ‘The best thing about being an indie publisher is that you can move really quickly. You can trust your initiative and publish the books you love publishing and you don’t have to convince a whole load of people because they trust my taste (on the whole!)’

There were discussions on cover designs - Solaris have some very talented designers, even if there are some last-minute revisions to cover designs. We have to agree - Phoenicia's Worlds has a stunning - and subtly appropriate - cover.

Ben also talked about his experiences of writing as a ghostwriter on a number of projects - and the challenges and opportunities this affords in terms of (almost) being a full-time fiction writer.
It was our first science fiction event at Mostly Books, and also the first time we've had a discussion between editor and author. We'll definitely be doing both again.

A big thank you to both Jonathan and Ben for making it a lively summer’s evening event. Phoenicia's Worlds deserves to do extremely well - and of course we have signed copies at Mostly Books...

Old Bear guest stars at Teddy Bear’s Picnic

We were delighted to have a real VIP visitor on Tuesday, when one of the most loved bears visited in person as guest of honour at our teddy bear’s picnic.
Our courtyard garden was packed out with picnickers - and their bears - who came along in the sunshine to listen to Old Bear stories and to meet some very famous bears indeed.

Author and illustrator, Jane Hissey, explained that Old Bear was the original inspiration and features in most of her books, which have been loved by children around the world for over 25 years.

In fact, Old Bear is now so old he very rarely makes a guest appearance, so Mostly Books felt particularly honoured that such a venerable bear made such a very long journey from Jane’s home in Sussex (and also very grateful to Jane for making such a long journey and bringing us all her delightful characters).

Old Bear was her very own bear. She had studied on an illustration and design course and worked as a teacher, but started drawing Old Bear when she had free moments after she started a family. She finally found a publisher who was interested in publishing her stories and quickly found readers who loved the books.


Old Bear was quickly joined by other characters – Hoot the owl, Little Bear – and her most recent creations – Ruby, Blue and Blanket. In the eighties the characters featured on everything from jigsaws to china figures.

Our audience featured lots of children and plenty of mums who had loved the books when they were young, as well as some new fans. And lots of sandwiches, cake and much-loved teds.

It was a glorious day and we were extremely lucky as a torrential downpour in the morning had flooded the garden and threatened our plans to be outside. We spent a good hour trying to clear all the water! But luckily the sun shone again and the weather was perfect by the time the picnic started.

Jane brought along all the original characters for us to meet and all of them had their own story of where they had all come from and how they ended up with starring roles in her books.

The stories would make a book in themselves.

It was as delightful a way to spend an hour as you could possibly have.

Her books are popular the world over and were made into an animated television series and they have been praised not only for their charming stories and colourful pictures, but also use of texture and perspective.

It was great that Jane also gave us an insight into how the books come to life.

She explained how she first writes the stories and then uses the characters to set up the scenes that will appear alongside the text, sometimes using pins, hooks and threads if the characters need to be in action or flying.

It was a unique insight into the meticulous attention to detail that goes into producing children’s book. It really gave an idea of how much work goes into the books, but also why they seem so full of life and texture. There are really no other books like them.
She also says she only uses coloured pencils to draw with and brought some of the original drawings for us to see.

With an audience from babes in arms, they appeal to a great range of ages. Now celebrating twenty-five years since being published, the Old Bear stories will now be delighting a whole new generation of children.

A tremendous thank you to Jane for such a delightful hour of insight and stories and for being generous enough to share them with us. We had a lovely time.

(Want to get a parent's view on the event - visit Child-Led Chaos's report on the day, and also visit Jane Hissey's own website for much more on the story behind Old Bear)